Welcome
to Masthead Issue 7.
Introducing the American
Terror special issue in September 2001, I quoted the American poet
Muriel Rukeyser, writing in the darkness of World War II. As our
world prepares for another devastating conflict, she bears requoting:
"All of our nature must be used. It is fatal
now to hold back from it. The war that has been over the world was
a war made in our imaginations; we saw it coming, and said so; and our
imaginations must be strong enough to make a peace. First, to create
an idea of peace, and then to bring it about.
"Always we need the audacity to speak for more
freedom, more imagination, more poetry with all its meanings. As
we go deeper into conflict, we shall find ourselves more constrained, the
repressive codes will turn to iron. More and more we shall need to
be free in our beliefs..."
In the name of this hope, this desire and this
struggle, I'm delighted to host a special Masthead feature: a stunning
selection of thirty five contemporary Arab poets, guest edited by Margaret
Obank of Banipal Magazine.
It includes selections of poems from some of the most distinguished poets
writing in Arabic today, working in different ways out of an ancient and
beautiful tradition.
Masthead also includes poetries of many kinds
from many parts of the world: from Slovenia, Ales Steger; from the UK,
Drew Milne, Sophie Levy and Charles Bainbridge with his versions
of poems by Phillipe Soupault; from New Zealand, David Howard; from Australia,
new translations of Rimbaud's
Les Illuminations by Dan Spielman
and an entire verse novel by MTC Cronin; from North America, prose poems
by Rebecca Seiferle and mixed media poetry by New York performance artist
Nicole Peyrafitte, and part of an ongoing collaboration by Shiela
E. Murphy and Canadian poet Douglas Barbour.
This issue's cover art is by Italian underground
artist Claudio Parentela. Check out the Gallery for more of his work.
I hope you enjoy Issue
7. Peace be with you.
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