
a bodice
with busted laces
the entirely promiscuous art
pour out in public
spaces
accompanying everything, the selections
of sex and war, the
rejections.
To jeans-wearers in ripped sporrans
it transmits an ideal
body
continuously as theirs age. Warrens
of plastic tiles and mesh
throats
dispense this aural money
this sleek accountancy of notes
deep
feeling adrift from its feelers
thought that means everything at once
like
a shurgging of cream shoulders
like paintings hung on street mesh
sonore
doom soneer illy chesh
they lost the off switch in my lifetime
the world
reverberates with Muzak
and Prozac. As it doesn't with poe-zac
(I did meet
a Miss Universe named Verstak).
Music to me is like days
I rarely catch
who composed them
if one's sublime I think: God
my life-signs suspend. I
nod
it's like both Stilton and cure
from one harpsichord
hum:
pencillium -
then I miss the Kochel number.
I scarcely know whose
performance
of a limpid autumn noon is superior
I gather timbre outranks
rhumba.
I often can't tell days apart
they are the consumers, not
me.
In my head collectables decay:
I've half heard every piece of
music
the glorious big one with voice
the gleaming instrumental one, so
choice
the hypnotic one like herbage at a party
and the muscular one out
of farty
cars that goes Whudda Whudda
Whudda like the compound oil
heart
of a warrior not of this planet.