She started her Bharatanatyam lessons at the age of six. The tremendous headway she made is largely due to her Guru's, Anita Guha's, efforts. Her sincere hard work and dedication convinced her Guru that she should start giving solo Bharatanatyam performances which have received a very warm appreciation by the audience. Medha also has participated - in the leading roles - in all the group ballet productions of her Guru'a school, Bharathanjali. Medha's other interests include drawing and painting.
Formally being a rare blend
of Vazhuvoor and Pandanallur, the original and complete styles of Bharathanatyam,
Medha breathes a living and creative rapture into the mystic forms of the spiritualized
art which sprang from the sacred worship in the Indian temples, and which is based
on inner experiences, vision and feelings, and, thus, is strikingly different
from the outer and shallow mimicking of someone else's technique.
Adyar Lakshman in his presiding speech
on 8th February 2002 of Medha's Salangai oli performance said, "There
has been a lot of debate going on whether 'Araimandi' is essential for Bharatanatyam.
Today this girl has positively proved beyond doubt the point in question by
her excellent araimandi". As some
spectators remarked, "Her charm is compelling, and her vibrant and original
realization of the most exquisite and nimble elements reveals a soul of apsara
embodied in the delicate body of a child".
Medha has
been very fortunate to study with the guru who was awarded the "Best
Natyacharya" title from Indian Fine Arts Society (Chennai) for 2 consecutive
years, "Best Natyacharya" from Nrityopasana and "Nritya Kalaimani".
Smt.Anita Guha, received her formal training in Bharatanatyam from Sri Govindaraj
Pillai of Bangalore, and later perfected her skills under the guidance of
Smt.Ananda Shankar Jayanth.
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